Ẹkọ nipa imọ-jinlẹ

From the charming nymphet from «Leon» she is separated by many roles, the beginning of her own directorial career, a diploma in psychology, an Oscar, motherhood. But it also has a lot in common with that 12-year-old. With childlike frankness, she tells how her world has changed over the years spent before our eyes.

Of course, you would never give her her thirty-five. Of course, she is very beautiful, and pregnancy does not distort her chiseled features. And, of course, she is the visible embodiment of success — here is the Oscar, and Dior advertising, and the famous choreographer-husband, and the lovely five-year-old son, and the directorial debut A Tale of Love and Darkness, approved in Cannes …

Ṣugbọn lati mẹnuba ohun gbogbo At the same time, a shadow of irritation that is not characteristic of him runs across the face of Natalie Portman. Because «look younger than your years» is an ageist compliment, everyone has the right to look their age, and no one has to strive to be younger; beauty is just winning the genetic lottery, there is no merit to it, and you should not judge another by his appearance; Harvard — “Yes, you know How long humiliation I experienced there because of my stupidity, How long I had to overcome in myself?”, And the husband and son … “This is love. And love is not an achievement or a reward.”

O dara, ayafi fun Oscar. o le gberaga. Ṣugbọn lẹhin gbogbo rẹ, gberaga nikan, maṣe ṣogo…

A joko lori balikoni ti hotẹẹli rẹ over the Venetian Lagoon — far from the island of Lido, where the film festival is in full swing, in the program of which there are two films with her participation. She’s only here for a couple of days, she’s expecting her second child, and now she wants to spend as much time as possible with her son before his brother or sister arrives. Work has now receded into the background for Portman, and she is philosophical — perhaps for the first time in her biography, the time has come when she can look at her life from the outside, outside the hustle and bustle and acting schedules. Here it becomes obvious that it is not in vain that Portman received a diploma in psychology — she easily generalizes her personal experience in a socio-psychological vein.

Natalie Portman: It’s funny how I’m being treated like a terribly fragile creature. And I’m just pregnant, not sick. I have a feeling that pregnancy in our world has lost its naturalness, has become some kind of special phenomenon that requires special treatment — everything is so focused on the conservation of the already existing one that the renewal looks like a wonderful exception.

Natalie Portman: "Mo ṣọ lati Russian melancholy"

Natalie Portman with her husband, choreographer Benjamin Millepied

Ni gbogbogbo, Mo ṣe akiyesi ọpọlọpọ awọn ayipada. Ni iṣaaju, ọdun mẹwa sẹhin, awọn irawọ bẹru paparazzi, nitori wọn fẹ lati tọju igbesi aye ara ẹni ni ikọkọ, bayi wọn tiju nipasẹ akiyesi wọn, nitori pe wọn fẹ lati jẹ eniyan "deede" ni oju ti gbogbo eniyan, nitori superiority ninu wa sihin otito ti di buburu iwa. Lootọ, awọn irawọ nipasẹ ati nla ko yẹ akiyesi gbogbo eniyan ni ọna eyikeyi…

Mo jẹ agutan dudu bi ajewebe, ni bayi eyi jẹ apakan kan ti iṣipopada fun itọju ihuwasi ti iseda, ọkan ninu ọpọlọpọ. Iwọn irisi ti o muna tẹlẹ wa, tinrin ti jẹ oriṣa, ati ni bayi, dupẹ lọwọ Ọlọrun, awọn awoṣe wa ni iwọn XL, ati pe stylist mi sọ pe: ọmọ, kilos marun kii yoo ṣe ọ lara…

Awọn imọ-ọkan: Ati bawo ni o ṣe fẹran aye tuntun yii?

E.G: My favorite university professor also said that the first wave of technological modernization will be followed by another, deep one. Modernization of consciousness. People will demand more openness from politicians, from the stars — an end to merchant revelry, from governments — environmental consciousness. I call it anti-elitism — a revolt of the conscious masses against being tyrannically disposed of, even at the level of tastes, canons, what is allegedly accepted.

I once asked Cate Blanchett how she manages everything, she has four children. And she philosophically remarked: «Dance and learn to dance»

Tàbí, gẹ́gẹ́ bí ọ̀rẹ́ akọ̀ròyìn mi ṣe sọ, nígbà tí àwọn arìnrìn àjò bá pàtẹ́wọ́ sí awakọ̀ òfuurufú náà lẹ́yìn tí wọ́n wọ ọkọ̀ òfuurufú náà: “Ṣùgbọ́n kò sẹ́ni tó gbóríyìn fún mi nígbà tí mo bá fi àpilẹ̀kọ olóhùn mẹ́wàá kan sílẹ̀.” Ni awọn ipo tuntun, iṣẹ amọdaju ti di iwuwasi, bayi o jẹ iyọọda lati gberaga nikan ti awọn iṣẹ iyasọtọ, awọn ifihan ti akikanju ti o fẹrẹẹ. Ati Emi, nipasẹ ọna, ni aye tuntun yii ti dẹkun lati jẹ ajewebe mimọ, Mo ni awọn pataki miiran bayi, o dabi pe o ga julọ: Mo nilo lati ni ilera ati lagbara, Mo jẹ iya. Eleyi jẹ akọkọ ohun.

Ṣe o gbadun jijẹ iya?

E.G: To be honest, everything is ambiguous. I don’t think «liked» is the right word here. Before the birth of Aleph, I was very worried — I could not imagine how I would combine work with a child with whom I so wanted to be there always, always … And somehow I asked Cate Blanchett — she is my oldest friend, I love her very much — how she succeed, she has four children. And she philosophically remarked: «Dance and you will learn to dance.» And I stopped worrying.

And when Aleph was born, yes, everything lined up by itself — he became a priority, I even abandoned the idea of ​​​​a XNUMX-hour babysitter — no one should stand between me and him … Motherhood for me is a unique combination of extremes — baby food and diapers with complete self-denial, anxiety, even horror with delight. You become more vulnerable and more sensitive — because now you have someone to protect. And stronger, more determined — because now you have someone to protect.

In Paris, if you run with your child on the playground, they look askance at you — it’s not accepted

It’s funny, but now I look at a person and think that after all, someone is his mother, and it will hurt her if her child is treated harshly. And I soften even in the toughest situations. But the view of things is somewhat distorted. After two years in France — my husband had a contract there to direct the Opera de Paris ballet — we returned to Los Angeles. And you know, in comparison with Paris … Someone smiles at my child in a cafe, and I am delighted — what a wonderful person, friendly, open!

Or perhaps nothing of the sort. It’s just that in America it’s normal to smile at a baby, create an atmosphere of warmth and acceptance for him. In Paris, if you run around the playground with your child, they look askance at you — it’s not accepted … And in Los Angeles, everyone tries not to invade your personal space, no one seeks to teach you their good form. I felt this difference — from Paris to Los Angeles — precisely because I have a son.

O dabi fun mi pe o ni ibawi pupọ ati nigbagbogbo rii ararẹ ni agbegbe tuntun fun ararẹ pe o yẹ ki o ni irọrun gba awọn iwuwasi eyikeyi… di oṣere ti o mọye, o pari ni ipa ti ọmọ ile-iwe, ati paapaa ni ẹka ti imọ-ọkan, ti o jinna si ile-iṣẹ fiimu…

E.G: Ṣugbọn awọn ofin titun ati aibikita yatọ si ara wọn, ṣe kii ṣe bẹẹ?

Isoju?

E.G: Well, yes, in Paris, if you do not obey the local behavioral norms, you can be quite harsh with you. There is… a sort of obsession with etiquette. Even a simple trip to the store can be stressful because of the «protocol» you have to follow. One of my Parisian friends kept teaching me «shopping etiquette»: you are looking for, for example, a thing of your size. But first, you must definitely tell the seller: “Bonjour!” Then you have to wait 2 seconds and ask your question.

My ex called me “Moscow”, he said: sometimes you look out the window so sadly … It’s just “Three sisters” — “To Moscow! To Moscow!»

Ti o ba wọle, wo awọn agbekọro naa o si beere pe: “Ṣe o ni 36th?”, O jẹ aibikita, ati pe o le jẹ aibikita ni ipadabọ. Wọn ko ronu nipa mimu ki ẹni ti o tẹle ọ ni itunu diẹ sii. Wọn ronu nipa ilana naa. Boya ni ọna yii wọn n gbiyanju lati tọju aṣa wọn. Sugbon o le fun mi. Ṣe o rii, ni Ilu Faranse o rẹ mi gaan ti awọn ofin. Mo ti nigbagbogbo a ti ju discipline. Bayi Mo ni itọsọna diẹ sii nipasẹ rilara. Mo fẹ ki awọn miiran ti o wa ni ayika mi ni itunu, ki ẹnikẹni ko ni rilara wahala, ati pe Mo huwa ni ibamu.

Njẹ ẹkọ ẹkọ nipa imọ-ọkan ni ipa lori ihuwasi rẹ ni ọna eyikeyi? Ṣe o ro pe o loye eniyan diẹ sii ju awọn miiran lọ?

E.G: Oh, yes, you treat psychologists like gurus. But in vain. It seems to me that I am just a real psychologist — each person for me is not a book already written and published in a certain edition, which you just need to open and read, but a unique creation, a mystery that needs to be understood.

Ṣe o jẹ alamọja ni ẹkọ nipa ẹkọ nipa ọmọ, ṣe iranlọwọ ni ibatan pẹlu ọmọ rẹ?

E.G: We are all equal when we recognize our children. And everyone is helpless before a miracle — meeting this person, your child. You know, I’m pretty sure I’ll be a good grandmother. That’s when — with the experience of motherhood and knowledge of psychology — I will clear up. And now there is not enough distance between us — I belong too much to Aleph.

Natalie Portman: "Mo ṣọ lati Russian melancholy"

The actress came to the festival to present her picture, being pregnant with her second child

But the director must be a bit of a psychologist. In the work on «The Tale of Love and Darkness» the diploma was definitely not superfluous. Moreover, your heroine in it suffers from a personality disorder … By the way, the debutant director, who also decides to play the main role in his own film, is a brave person.

E.G: Ninu ọran mi, kii ṣe rara, kii ṣe igboya ati paapaa paapaa iṣẹ pataki. Ati awọn oroinuokan nibi, lati so ooto, ni ko gan jade ti ibi. Awọn otitọ ni wipe mo ti shot a fiimu ni Israeli ati nipa Israeli. ní èdè Hébérù. Nipa ifẹ, indissoluble asomọ laarin a ọmọ ati iya rẹ lodi si awọn backdrop ti awọn Ibiyi ti ipinle Israeli. Eyi jẹ fiimu nipa idagbasoke orilẹ-ede ati eniyan kan. Ati pe o da lori itan-akọọlẹ ti ara ẹni lilu ti ẹni nla, laisi abumọ, Amos Oz nla.

Everything is from the air of Israel. And Israel is my country. I was born there, my family is from there, we sometimes speak Hebrew at my parents’ house, and the Jewish heritage in our family is very strong … «A Tale of Love and Darkness» is my film in full, no one could play this role in it, except for me. It would just take away the meaning of the film for me, the personal meaning that I put into it. Because for me it is a way to express my love for the country and define my identity.

You know, all my American friends in their youth in one way or another asked this question — who am I? what am I? But for me, there has never been such a question: I am a Jew, a Jew and an Israeli. When you say, «I’m from Israel,» people tend to start a 10-hour conversation about current politics that way. But for me there is no politics here, I’m just from Israel, from a country that, yes, was at the forefront of civilizational processes, but I’m just from Israel. And I belong to Israel no less than to America.

Kí ló túmọ̀ sí gan-an fún ọ láti jẹ́ ti Ísírẹ́lì?

E.G: O ni… Nigbati mo kọkọ konge Buddhism, Mo ni idamu diẹ. Buddhism jẹ nipa riri ohun ti o ni ati ibiti o wa ni bayi. Ati pe Mo dabi gbogbo ẹsin Juu, eyiti…Eyi ti o jẹ ibatan inextricably pẹlu npongbe fun ohun ti o ko ni. Ní ilẹ̀ ìbílẹ̀ tí wọ́n lé àwọn Júù jáde. Ìpínyà wa gan-an “ọdún tí ń bọ̀ ní Jerúsálẹ́mù” jẹ́ àjèjì, bí ẹni pé Jerúsálẹ́mù kì í ṣe ti àwọn Júù síbẹ̀.

The language itself speaks for us: Israel is built into our religion as something we don’t have. But we already have it, the homeland has been regained. And longing is still right there … And I have it — melancholy. Sometimes it shows through. Although… I also have Eastern European roots, and much in our family culture, and in my character – from there. Perhaps from Russia, where my great-grandmother comes from.

Natalie Portman: "Mo ṣọ lati Russian melancholy"

Natalie Portman and Israeli writer Amos Oz at a charity event in Beverly Hills

Kini, fun apẹẹrẹ?

E.G: Yes, that melancholy. One of my boyfriends thought that she was not Jewish, but completely Russian. He even called me «Moscow». And he said: you don’t notice, but the way you sometimes freeze and look out the window so sadly … It’s just “Three Sisters” — “To Moscow! To Moscow!» He sometimes even asked me to stop «Muscovite». Slavic romantic spleen — that’s what Oz calls this state. But we also tend to expect miracles.

And you, it seems, have nothing to look forward to — your life already looks wonderful.

E.G: That’s for sure, I’m very lucky: I already have a lot of miracles. However, if you think that they are related to career or fame, you are wrong. I met an amazing man — Amos Oz. Miracle. I manage to spend a lot of time at home. We even set our own rituals — on Thursdays a car comes to our house for garbage, and I am always at home on Thursday. Miracle. On weekends we meet with friends and their children. Almost every weekend. Miracle. Before coming here, Aleph and I were walking in the park, and for the first time he saw a rabbit. And I saw his eyes. It was definitely a miracle. Unlike the rabbit that darted away from Aleph at the speed of a flying saucer, my miracles are… tame.

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