Zemfira ká titun album «Borderline»: ohun ti psychologists ro nipa o

Apadabọ akọrin naa ṣẹlẹ lojiji. Ni alẹ ọjọ Kínní 26, Zemfira ṣe afihan awo-orin ile-iṣẹ tuntun, keje ti a pe ni Borderline. Awọn amoye PSYCHOLOGIES tẹtisi awo-orin naa ati pin awọn iwunilori akọkọ wọn.

The album includes 12 tracks, including the previously released «Austin» and «Crimea», as well as «Abyuz», which was previously available only in a live recording.

Ọrọ Borderline ni akọle ti igbasilẹ kii ṣe “aala” nikan, ṣugbọn tun jẹ apakan ti gbolohun ọrọ aala eniyan rudurudu, iyẹn ni, “aiṣedeede eniyan aala”. Ṣe lasan ni? Tabi iru ikilọ si awọn olutẹtisi? O dabi pe orin kọọkan ti awo-orin tuntun le di mejeeji ti o nfa fun irora igbagbe pipẹ ati ọna si imọlẹ ati ominira.

A beere awọn amoye Psychologies lati pin awọn iwunilori wọn ti iṣẹ tuntun Zemfira. Ati gbogbo eniyan gbọ igbasilẹ titun rẹ ni ọna ti ara wọn.

"Yanka Diaghileva kọrin nipa eyi pada ni awọn ọdun 80 ti o ti kọja"

Andrey Yudin - gestalt oniwosan, olukọni, saikolojisiti

On his Facebook page (an extremist organization banned in Russia), Andrei shared his thoughts after listening to the album:

1. Lẹhin ti keko somatic psychotherapy, o jẹ ko si ohun to ṣee ṣe lati gbọ iru music. Ibanujẹ itara pẹlu ara oṣere (ati ohun gbogbo ti o ṣajọpọ ninu rẹ) ṣe idiwọ eyikeyi awọn iwunilori lati orin ati awọn orin.

2. Yanka Diaghileva kọrin nipa gbogbo eyi pada ni awọn ọdun 80, ẹniti, ni kete ṣaaju iku rẹ, ṣapejuwe iru ẹda yii ni iyanju ninu orin “Ta”:

Aṣeyọri ti iṣowo ni gbangba kú

Lori awọn okuta lati fọ oju fọtogenic kan

Beere eniyan, wo oju

Awọn ti o dara kọja…

Iku mi ti ta.

Ti ta.

3. Borderline eniyan ẹjẹ, Eng. Rudurudu eniyan aala, lẹhin eyiti a darukọ awo-orin naa, jẹ rudurudu eniyan ti o rọrun julọ lati tọju pẹlu asọtẹlẹ ti o dara julọ (ṣugbọn nikan nigbati a ba ṣe afiwe awọn rudurudu eniyan pataki meji miiran, narcissistic ati schizoid).

"O jẹ ifarabalẹ pupọ si asopọ, akoko"

Vladimir Dashevsky — psychotherapist, candidate of psychological sciences, regular contributor to Psychologies

Zemfira has always been a performer of very high quality pop music for me. She is extremely sensitive to the conjuncture, time. Starting from the very first track that became popular — “And you have AIDS, which means we will die …”, — in principle, she continues to sing the same song. And Zemfira not only forms the agenda, but reflects it.

Dajudaju afikun kan wa lati otitọ pe awo-orin tuntun rẹ ti jade bii eyi: rudurudu aala eniyan yoo “tẹ si awọn eniyan”, boya eniyan yoo nifẹ diẹ sii si ohun ti n ṣẹlẹ si psyche wọn. Mo ro pe ni ọna kan, ayẹwo yii yoo di "asaju", bi o ti ṣẹlẹ ni ẹẹkan pẹlu iṣọn-ẹjẹ bipolar. Tabi boya o ti ni tẹlẹ.

«Zemfira, like any other great author, reflects reality»

Irina Gross - isẹgun saikolojisiti

Zemfira lori atunwi tumọ si pe a wa si aye. A ku, sugbon ti wa ni a bi lẹẹkansi ati lẹẹkansi, kọọkan akoko ni titun kan agbara.

Ohùn kanna, awọn adura ọdọmọkunrin kanna, diẹ si eti, ṣugbọn tẹlẹ pẹlu diẹ ninu iru hoarseness agbalagba.

Zemfira dagba o si rii pe o yatọ? Ṣe a dagba bi? Njẹ a yoo ni lati sọ o dabọ fun awọn obi wa, fun iya wa? Njẹ ko si ẹnikan lati koju awọn ẹtọ wọn si? Ati nisisiyi, ni ilodi si, gbogbo awọn ẹtọ yoo mu wa fun ara wa bi?

Zemfira dabi ẹni pe o ni awọn ibeere diẹ sii fun Austin ju fun ilokulo bi lasan. O kọrin nipa ilokulo ni idakẹjẹ ati pẹlu tutu, lakoko ti Austin jẹ didanubi diẹ sii, lẹgbẹẹ rẹ ẹdọfu diẹ sii wa. Lẹhinna, o jẹ pato, o tutọ si awọn ikunsinu, binu, o si ni oju. Ati kini ilokulo naa dabi ni gbogbogbo, a ko mọ. A nikan konge Austin ká toughness ati ki o ro a wà o kan unlucky.

Lẹhinna, nigba ti a ba ni ipalara ati ipalara, wọn ko mọ ọrọ yii, ṣugbọn, dajudaju, gbogbo wa ranti Austin. Ati nisisiyi a ti ni idaniloju tẹlẹ pe, ti a ba tun pade rẹ, a kii yoo di olufaragba rẹ, a ko ni joko lori ìjánu rẹ. Bayi a yoo ri agbara ninu ara wa lati jagun pada ki a si sa fun, nitori a ko fẹran irora mọ, a ko ni igberaga ninu rẹ mọ.

Yes, this is not what we expected. Together with Zemfira, we wanted to return to childhood, to youth, to the past, in order to again arrange a “war with this world”, to break free from the chain in a teenage rebellion. But no, we go further and further, in a circle, along these repetitive, familiar rhythms-cycles — seemingly familiar, but still different. We are no longer teenagers, we have already seen and survived a lot of things “this summer”.

And it’s not true that “nothing will happen to us.” Will definitely happen. We want a lot more. We will also have a beautiful coat, and poems on the embankment, even if they are bad. We have already learned to forgive «bad» verses to ourselves and others. We will still “come-leave-come back” and wait.

Lẹhinna, eyi kii ṣe opin, ṣugbọn o kan aala miiran, laini ti a kọja papọ.

Zemfira, like any other great author, reflects reality — simply, sincerely, as it is. Her voice is the voice of the collective consciousness. Do you feel how it connects all of us in the borderline that we have already lived? Yes, it was not easy: my hands were trembling, and it seemed that I no longer had the strength to fight. But we have survived and matured.

Her songs help us to digest and understand the experience, with her creativity she provokes mass reflection. It turns out that we can do everything — even the borderline states of the psyche. But breakdowns are in the past, so you can cross out this word.

Zemfira dagba pẹlu wa, o ti kọja laini ti "arin ọna", ṣugbọn tun fọwọkan si iyara. Nitorina, yoo tun wa: okun, ati awọn irawọ, ati ọrẹ kan lati gusu.

«What is reality — such are the lyrics»

Marina Travkova — psychologist

O dabi si mi pe pẹlu idaduro ọdun mẹjọ, Zemfira gbe awọn ireti ti o ga julọ silẹ ni gbangba. A ṣe akiyesi awo-orin naa “labẹ maikirosikopu”: awọn itumọ tuntun wa ninu rẹ, o ti ṣofintoto, o yìn. Nibayi, ti a ba ro pe oun yoo ti jade ni ọdun kan lẹhinna, yoo jẹ Zemfira kanna.

How different it is from a musical point of view, let the music critics judge. As a psychologist, I noticed only one change: language. The language of pop psychology, and its own «wiring» in the text: the accusation of the mother, ambivalence.

However, I’m not sure that there is a second and third meaning. It seems to me that the lyrics use words that have become commonplace, everyday — and at the same time they are still “bulging” enough to be read as a characteristic of the times. After all, people now often exchange information at a friendly meeting about what their diagnoses are, what psychologists they have, and discuss antidepressants.

This is our reality. What a reality — such lyrics. After all, oil is really pumping.

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